Staff Picks
DBR at UMD
February 11-13 and March 13, 2008
Jermaine Lewis, Program Coordinator for Campus and Community Engagement
Behind the scenes:
"JAM""More Outrageous"
"Conduct Me"
When thinking of Daniel Bernard Roumain's new work, One Loss Plus, which is coming to the center next spring, I think of the process of evolution. When I first read the title, One Loss Plus, I was slightly bewildered and didn't quite know how a violinist would portray loss, grief, isolation, hope and optimism in a multimedia performance piece. However, after my director, Ruth Waalkes, gave me a copy of DBR's new CD, Etudes for Violin and Electronix, it all started to make sense. Listening to DBR's chilling and eerie tunes, "Resonance" and "The Need to Belong," I thought of the incident on our campus where a noose was hung from a tree outside the Nyumburu Cultural Center in the middle of campus. The noose, which is an historic symbol of racial hatred and legalized killing of African Americans, has reappeared in our 21st century landscape, not just at the University of Maryland, but at New York's Columbia University and in parts of the south, where Billie Holiday once sung the ever famous, Strange Fruit (pictured below). While listening, I also began to think of last year's VA Tech massacre where innocent students where killed by a young man who never felt a part of the greater community and lived in a mental and emotional state of isolation. And from continued listening, the memory of other acts of devastation, such as 9/11 and Hurricane Katrina, reentered my mind.

Andrea Chase sings "Strange Fruit" with the Nyumburu Jazz Club at a DBR pre-residency event on Thursday, November 1
While attending a student speak-out against the hanging of the noose on our campus, I heard several inspiring speeches by students and staff, and I also received buttons that read "Terps As One" which were handed to me by Asian American students who could now identify and connect with another community that was affected by loss, grief, and isolation in a different, but similar way. And ultimately, the concept of Daniel Bernard Roumain's work manifested itself through such acts as students supported each other. In these moments, I notice the plus of loss, the endearing optimism that human beings create in the face of mindless destruction in order to keep the process of life as we know it alive through building and creating community, which I believe is a form of art in itself, as well as a science.
Furthermore, Daniel Bernard Roumain's One Loss Plus touches us not only on a societal level, but on a personal level, as individual people need always reconsider situations, circumstances, and relationships that impede our personal evolution. Perhaps, Daniel Bernard Roumain is inspiring himself and mankind to embrace liberation and the positive effects of evolutionary, artistic, creative destruction as he rebuffs his traditional, classical violin training in order to create a new form of musical expression–a symbolic catalyst for personal and societal growth through his new work, One Loss Plus.
To see his YouTube video on One Loss Plus, click here.
For all the rest about DBR, visit his website.
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